An exhibition project about orbital debris and the second birth of matter. Marking 65 years since Yuri Gagarin's flight. Moscow, spring 2026
View the galleryWe are used to thinking that up there is emptiness. A blank page. But the emptiness has taken on density: it is filled with our presence, our ambitions, our cold metal.
Press (i) on a card for the source and the date. On the debris mass you can click the number for a comparison that gives a sense of scale.
Waste on the ground and waste in orbit are one and the same substance. A single industrial trace, which we first tore out of the planet's depths and then flung above our own heads.
Space took the best for itself: clean metal went into rocket skins and satellite electronics. Down below there remained mountains of slag that we have learned to ignore. I am giving this matter back its right to be art. The method is called artcycling: burnt-out circuit boards, vacuum tubes and toggle switches of a great era are cleared of the layers of time and reassembled into new meanings.
This kinship is not a poetic figure. Vostok 1 carried 421 vacuum tubes, more than 600 transistors and about 800 relays and switches; the transmitters of the first artificial satellite, Sputnik 1, ran on miniature vacuum tubes. Space hardware and household appliances of that era were assembled from the same class of components and differed in selection and acceptance testing, not in nature. We work with the very matter that went into orbit and stayed there.
The mountains of debris in orbit are a challenge to our intellect and our spirit. We are already full and responsible residents of the Universe. It is time to behave accordingly.
“Space Ecology” grew out of the meeting of two artistic views on the technological trace of humankind.
“Space Ecology” is a project of the Osoznannost art group. The artists work with matter that the technosphere has already written off: circuit boards, tubes, optics, metal. The group is led by Sergey Kozhukhovsky.
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